Zoltán Fejérvári has emerged as one of the most intriguing and exciting pianists among the new generation of Hungarian musicians. Winner of the 2017 Concours Musical International de Montréal and recipient of the prestigious Borletti-Buitoni Trust Fellowship in 2016, Zoltán Fejérvári has appeared in recitals throughout the Americas and Europe, at prestigious venues including Carnegie Hall, Canada’s Place des Arts, Gasteig in Munich, Lingotto in Turin, Palau de Música in Valencia, Biblioteca Nacional de Buenos Aires, and Liszt Academy in Budapest. He has performed as soloist with the Budapest Festival Orchestra, Hungarian National Orchestra, Verbier Chamber Orchestra, and Concerto Budapest, and collaborated with such conductors as Iván Fischer, Markus Stenz, Gábor Tákács-Nagy, Ken-Ichiro Kobayashi, and Zoltán Kocsis. Fejérvári’s solo recording debut, Janáček, released in January 2019, earned rave reviews as “the most sensitive and deeply probative recording” of that composer’s work (Gramophone). His latest recording, Schumann, was released for the Atma Classique label in May 2020 and was again praised by Gramophone: "Fejérvári is a deeply communicative artist who combines an imperturbable yet magisterial command of his instrument with impeccable musicality. Those who have yet to hear him are in for a rare treat."
Fejérvári’s 2024-2025 season includes Chopin’s Piano Concerto No. 2 with the Huntsville Symphony Orchestra and a solo recital of Dvořák, Janáček, Schumann, and Brahms at the Philadelphia Chamber Music Society. In Europe, he performs at the prestigious Klavier-Festival Ruhr and returns to Wigmore Hall. Highlights of the 2023-2024 season included Strauss’s Burleske with Naples Philharmonic, a return to La Jolla Music Society, and performances with Concerto Budapest, the Hungarian National Philharmonic Orchestra, and the Franz Liszt Academy of Music in Budapest, Hungary.
Fejérvári’s notable orchestral collaborations include appearances with the Budapest Festival Orchestra; Chamber Orchestra of Europe; San Antonio Symphony with Kensho Watanabe; Winnipeg Symphony Orchestra with Matthias Bamert; Concerto Budapest Orchestra with András Keller; Hungarian Symphony Orchestra Miskolc with Mátyás Antal; Franz Liszt Chamber Orchestra; and Baton Rouge Symphony Orchestra as well as performances at the Liszt Academy, Warsaw Philharmonic, and KKL Lucerne.
Past seasons’ recital highlights have included Classical Spree, the festival of the Montreal Symphony Orchestra; contemporary and Baroque concerti at Lucerne Festival at the request of Sir András Schiff, a longtime mentor to Fejérvári; Gilmore Keyboard Festival Rising Stars series; and Vancouver Recital Society in British Columbia. Schiff chose Fejérvári to participate in Building Bridges,” a series established to highlight young pianists of unusual promise. Under this aegis Fejérvári previously gave recitals in Berlin, Bochum, Brussels, Zurich, and Ittingen, among other cities.
Fejérvári has performed chamber music with the Elias Quartet presented by the Liverpool Philharmonic Orchestra, with Joshua Bell and Nicolas Alsteadt presented by the Liszt Academy, and with violinist Diana Tishchenko in Aix-en-Provence and La Chaux-de-Fonds. Fejérvári has also collaborated with the Keller and Kodály Quartets; violinists Joseph Lin and András Keller; cellists Gary Hoffman, Christoph Richter, Ivan Monighetti, Frans Helmerson, and Steven Isserlis; and horn player Radovan Vlatković. Fejérvári has appeared at Kronberg’s Chamber Music Connects the World program; Prussia Cove’s Open Chamber Music; Lisztomania at Châteauroux, France; the Tiszadob Piano Festival in Hungary; Encuentro de Música in Santander, Spain; and the Brooklyn Chamber Music Festival. At the invitation of artistic director Mitsuko Uchida, he participated twice in the Marlboro Music Festival. Fejérvári also toured throughout the United States with Musicians from Marlboro in the 2017-2018 and 2018-2019 seasons.
Zoltán Fejérvári’s solo recording debut, Janáček, was released on the Piano Classics label in 2019. It features performances of On an Overgrown Path, In the Mists, and Piano Sonata 1.X.1905. In 2013 his recording of Liszt’s Malédiction with the Budapest Chamber Symphony, for Hungaroton, was awarded the Grand Prix du Disque. The recording was followed by a CD of four Mozart sonatas with violinist Ernő Kállai, issued in 2014 on Hungaroton. Fejérvári was also featured on a 2020 Warner Classics release of sonatas by Ravel, Enescu, Ysaÿe and Prokofiev in collaboration with violinist Diana Tishchenko entitled Strangers in Paradise.
Fejérvári currently holds a professorship at the Hochschule für Musik FHNW, Musik Akademie Basel in Basel, Switzerland, where he teaches piano and chamber music classes.
“Fejérvári’s playing is multi-layered and precise, requiring full concentration on the part of the audience. Every note has its own particular dynamic, character, and expression.” – Kulturvollzug
“Fejérvári’s rendition of Schumann was tender, philosophical, and somewhat introspective, but he played with great passion where necessary. He interpreted the slow movement with a speaking rubato and showed us his Florestanian temperament in the last movement, which made the performance truly authentic.” – Muzsika
“[Fejérvári] evidenced dazzling technique that can rank with the best piano virtuosi and his interpretive instincts were consistently revelatory. He imbued even the most overt display pieces with subtlety and aristocratic insight.” – South Florida Classical Review
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